The intention was to keep the integrity of the household intact. “We required to make absolutely sure these houses always carried the tales of the family members who lived right here,” he stated.

“That way when you check out these properties, it does not really feel like just one more historical residence — you feel the life of the men and women who termed it property. In any other case, they are just a bunch of wooden constructions,” he continued. “They are meaningless without having the people and the tales that are tied to them.”

Residence 12 is committed to Amandie Lynn, regarded as Mandy. She was born in 1897 and eventually would get the job done at the mill as a winder, generating $1 an hour in 1960. She was effectively regarded in the village for her quilts, kindness, and baking.

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To honor Mandy and her relatives, the property is embellished with buttons, quilts, massive wood spools that she would have employed at the mill, and other merchandise. “The home is complete of Easter eggs (clues to the home’s historical past),” Reyes claimed. “If you continue to be in here very long plenty of, you’ll start off to see a lot more and a lot more aspects. Everything in this household was preferred for a specific explanation.”

Reyes’ mother and wife, Elaine Namour and Melissa Reyes respectively, refurbished and repurposed things found in the Company Retailer and all-around the assets to adorn House 12 with. A couple of these assignments contain repurposing a sewing desk into a sink and earning a lampshade out of wood spools.